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Artist, Wayne Scherer
The
Log, 2004
by Jim Kelly
When Wayne Scherer's grandfather, William (Willie)
Scherer, jumped ship in
San Diego at the turn of the Nineteenth Century, he
probably didn't know he would be spawning a dynasty of
skilled sailors, artists and craftsmen in the Southern California port city.
Willie Scherer served on the last of the US Navy’s
square riggers and deployed with the Great White
Fleet when it was sent around the world in 1907 by
President Theodore Roosevelt who wanted to display
America’s might.
The fleet was aptly named because its 16 new
battleships were all painted white with guided
scrollwork on their bows.
They traveled 43,000 miles and made 20 port calls on
six continents.
Scherer’s father, William, also went to sea. He
was a well-known sailor in San Diego who captained
the Poseidon, a 70-foot yacht owned by Solar
Dynamics, and ran the Boathouse for the Hotel Del
Coronado.
So, it appears Scherer had little choice but to
follow in his family’s footsteps. After catching
tuna for two years in South American and African
waters, he took off for 18 months to travel through
Central and South America.
Scherer spent all his savings and lost his heart
to a Colombian girl, Ruby (who he later married),
before returning to the States and signed on as a
deck hand with the yacht, Miss Travel Lodge.
By 1976, Scherer had enough experience at sea to
apply for and earn his captain’s license.
During this time he found out he could do
something other than piloting a boat. Scherer
discovered he could paint.
Soon others discovered it, too. Encouraged by
Jorge Imana, a painter from Bolivia, Scherer was
accepted as a member by the La Jolla Art Association
in 1977. He was the youngest member ever to be
accepted by the prestigious art association.
In the
same year, Imana, who ran an art gallery in Point
Loma and was also a member of the La Jolla Art
Association, held a public showing of Scherer’s
paintings.
10 of them were sold on the evening of the
showing, the most paintings ever sold in one day by
the gallery. The most common comment heard that
evening, according to Wayne, was, "My goodness. He doesn't paint
like an Irish artist."
Most of Scherer’s career as a sea captain has been spent
in Mexican waters.
He typically leaves San Diego
after the hurricane season is over in Central
America and stays in Ensenada until October, when he
moves south to Cabo San Lucas.
Scherer loves the diving and fishing off the
islands around Cabo and in the Gulf of California.
He said there’s a decompression chamber in Cabo now
and it’s made diving much safer. "But you don’t
really even need to scuba dive," he said. "There’s
plenty to see just by snorkeling."
Scherer said he’s seen whale sharks in the gulf
and has caught 60 pound squid. "Would you believe
some people dive there at night?" he remarked.
"Those things have hooks in their tentacles that can
tear you apart!"
As he works his way down the Baja California
coastline, Scherer constantly searches for new
inspiration for his paintings. He likes to capture
the culture in his art, not the scenery and he finds
the Seri Indians fascinating.
"There were only about 300 of them left in the
1930’s," he explained. These Indians were once
nomadic fishermen and they are now making baskets
and carvings for a living.
Scherer’s latest painting shows a Seri Indian
holding strings of beads in one hand and a seed
growing a beautiful plant in another. "I’m trying to
express the contrast between the beauty they once
possessed and the life they have been forced to
adopt," he said.
In
his other paintings, Scherer distills patterns and
colors from his imagination and experiences to
create fluid and exciting beauty in a variety of
mediums.
He has painted with acrylics, graphite, water colors
and, most recently, oils.
"I like oil
the best," he said. "I find I can do more with it
and it holds up better than other mediums."
Scherer
said his father used to have an oil painting on his
boat and he would hose it off with water once in
awhile. "You couldn’t wreck the darn thing," he
said.
Regardless of what medium he uses, Scherer
consistently portrays the essence of the many
cultures he observes in his travels.
Much of his work has a strong South American
feeling.
His art is also difficult to categorize, with
some of his paintings pulling their inspiration from
the Impressionistic movement and others more
inclined toward the Modern period.
An out-of-focus stand of
tropical trees beside a quiet inlet could easily
have been painted by Pissarro while a sweep of
staircases and arches between two palm trees looks
very much like an Escher.
Picasso also seems to have had some influence on
many of the faces of the women Scherer paints.
Because of the nature of his work, Scherer
doesn’t paint while at sea.
During this time he spends his leisure hours
sculpting masks from polymer clay and putting glass,
fish bone, mother of pearl and shell inlays on them
before adorning them with gold or silver leaf and
pearls.
In December Scherer leaves Cabo and moves south
to the mainland of Mexico to get beyond the gray
band of weather that moves in and stretches from
Abreojos to San Diego.
He stays there until the
hurricane season begins in May or June when he
returns to Cabo and begins working his way home
again.
Scherer, who holds a 500 ton ocean operators
license, is the captain of a 70 foot Power Cat built
last year by Knight and Carver.
Although his boat is currently in San Diego for
refitting, Scherer is hopeful work can be completed
by early next summer so he can get underway again.
Meanwhile, Scherer continues to paint beautiful
works of art.
You can contact Wayne at
www.waynescherer.com
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